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2019 2020 Blog News

Museum of Slavery Proposal Wins Egyptian Halls Public Vote

In 2019 the Alexander Thomson Society launched a competition entitled Reimagining Egyptian Halls, in order to encourage designers from across the world to think creatively about what a future use for Greek Thomson’s masterpiece of warehouse design might be.

We celebrated the entries received through exhibitions at the New Glasgow Society and The Lighthouse, and assembled a panel of expert judges to select a winner and award commendations. We are grateful to NGS and The Lighthouse for providing their exhibition spaces to us free of charge, and to our late chair, Mark Baines, for providing a donation to cover the costs of mounting the exhibition.

The first prize was awarded to a proposal for a ‘Temple of Thought’ devised by two entrants from St Petersburg in Russia, which the judges praised for its architecturally powerful reinterpretation of the interior spaces in the building.

The Society then opened up the entries to a public vote, where anyone could select their favourite entry and comment on what they believed was the most appropriate use for Egyptian Halls. And we were delighted that the public responded to the poll in their hundreds.

We originally planned to announce the results of this at our annual Alexander Thomson lecture in April, however with the current pandemic that event was unfortunately cancelled, and we have subsequently been looking for an appropriate time at which to make this announcement. But given the outcome of the vote, and its relationship to the current public discussion about the way in which Glasgow as a city addresses its past this would appear a very relevant time to publish the result.

We are therefore pleased to announce that the winner of the public vote was Gavin Fraser from Polmont’s proposal for a ‘Museum of Slavery’, which was also one of the commended entries selected by our original panel of judges.

There have previously been calls for the establishment of a Scottish Museum of Empire, Colonialism, Slavery and Migration in Glasgow from the Coalition of Racial Equality and Rights (CRER), with Zandra Yeaman noting in 2018:

“Scotland’s role in empire, slavery and colonialism was massive. A museum that will help capture this history is essential – we can’t resolve the racial inequalities persisting today without understanding the history which brought us to this point.”

The Society fully supports CRER’s campaign to better educate the public about Glasgow’s past and the sources of wealth that played a significant part in building the city.

Glasgow councillor Graham Campbell previously suggested that the Gallery of Modern Art could be repurposed as a home for this institution, a fitting option given its origins as the mansion of a sugar baron. But this would be at the expense of an existing cultural institution, could the Egyptian Halls instead provide a prospective home for a use like this?

Whilst the building doesn’t have the historic relevance that GOMA does to Glasgow’s involvement in the transatlantic slave trade, it is still located in the heart of the city, close to the river, and to Jamaica St – so named for the connection between Scotland and Jamaica, the place where the majority of Scottish slavers were based.

And the building has been put to a similar use before. The building started off life as the home of the Egyptian Halls Fancy Bazaar Company, which was an emporium styled on the Egyptian Halls in London, and included exhibition space, lecture and performance spaces, a restaurant and market. This A-listed building has now been vacant for 40 years and was recently listed as one of the 14 most endangered cultural sites in Europe.

Zandra Yeaman, from the Coalition for Racial Equality and Rights, welcomed the support of the Alexander Thomson Society for a Scottish Museum of Empire, Slavery, Colonialism and Migration. She said “it’s particularly heartening to know that the hundreds of people who took part in the public vote also support this initiative. CRER has been campaigning for this for over a decade now, and even the Scottish Parliament have now shown their support. Community involvement and participation will be crucial to ensure the context and content of the museum credibly reflects the lives, origins and experiences of Black minority ethnic people in Scotland, and the task ahead is huge. We’ve asked the Scottish Government to fund a comprehensive scoping study to begin to make this a reality, and the use of the Egyptian Halls as a potential venue should definitely be explored further”

The Society’s poll further revealed that 100% of those who responded to the poll favoured the retention of the original building, with the majority favouring the use of the building as a cultural institution. Whilst a Change.org petition launched by the Society calling for the building to be saved has received 4,450 signatures. We are pleased to share Gavin’s proposal with you, which can be viewed below:

Categories
2019 News

Reimagining Egyptian Halls

An Ideas Competition for the adaptive reuse of Thomson’s Egyptian Halls

In 2019, The Alexander Thomson Society invited designers from around the world to develop ideas for the adaptive re-use of Alexander ‘Greek’ Thomson’s Egyptian Halls, one of Glasgow’s greatest historic buildings. 

The objective of the competition was to invite innovative, imaginative and purposeful design solutions for the reuse of the A-listed Egyptian Halls, a warehouse building completed in 1872 on Union Street, Glasgow by the celebrated, nineteenth-century architect Alexander Thomson (1817-1875). 

The purpose of this competition and exhibition was not to form a feasibility study or develop an architectural approach, but to raise awareness of an important part of Glasgow’s architectural heritage which unfortunately is in a poor condition and at significant risk of further decay and possible demolition. 

The Society invited entrants to generate concepts for alternative uses for the Egyptian Halls and wanted to provide little limits to entrants creativity. The only conditions applied were:
– The Union Street facade and the rear facade to the lane must be retained and restoration assumed;
– The internal cast iron structure may be retained or adjusted as a matter of judgement;
– Roof top additions are to respect the appearance of the building from the street.


The Submissions were reviewed on the basis of quality, strength of concept, intergration with the original building fabric and the response to the wider urban context of the site.

The judges were impressed by the level of commitment to the competition demonstrated in the twenty-one presentations submitted. They were equally surprised and gratified by the range of entries and their countries of origin, a fact which contributed to the diversity of the projects on offer.

The judging panel was led by architect Richard Murphy and consisted of Mark Baines as Chair of the Society, Dr. Susan O’Connor of the Civic Trust and Isabel Garriga, President of the Glasgow Institute of Architects.


First Prize: Temple of Thought, by Igor Shkut & Vasilii Portnyagin from Saint-Petersburg, Russia.

The winning design was selected on the imaginative quality of the architectural spaces illustrated which portrayed a range of interiors of compelling intensity combining powerful evocations of historical source and contemporary sensibility appropriate to the building’s cultural role. 


Commended Entry: The Museum of Slavery, by Gavin Fraser from Polmont, UK

Of the two commendations the volumetric ordering and presence of the museum devoted to the slave trade again appeared to resonate with history and the current issues of people trafficking.


Commended Entry: A new school for Glasgow, by James Faulds & Tom Stark from Glasgow, UK.

The second commendation was awarded to a somewhat more straight forward proposal for a city primary school which exhibited a compactness of plan with an interesting volumetric interplay of volumes in section.


There was some lively discussion particularly around the Commendations as well as consideration of some potential Special Mentions which at the end of the day were not awarded.

We received 21 entries to the competition, both from the UK and from further afield, including the USA, India, Brazil, Russia, the Phillipines, Slovenia and China. 

All entries can be viewed here.

All entries were displayed in a public exhibition at New Glasgow Society from Friday 6th to Sunday 8th December. We are hopeful that the exhibition will be displayed again during 2020 as we continue to raise awareness of the uncertain future of the building alongside our campaign for inclusion of Europa Nostra’s 7 Most Endangered programme. We also plan to launch a public vote for the entries, allowing members of the public and our membership to vote for the entires which they think are best, or to offer alternative suggestions.

Categories
2019 News

THE MOST ENDANGERED BUILDINGS IN EUROPE

Glasgow’s Egyptian Halls recognised among the most at risk cultural sites in Europe

Alexander ‘Greek’ Thomson’s A-listed masterpiece, the Egyptian Halls, has been shortlisted by the pan-European heritage organisation, Europa Nostra, for its 7 Most Endangered programme. 

The upper floors of the former warehouse on Union Street have now been empty for 40 years, and shrouded by scaffold for the last 10, as the building has been allowed to fall into decay. The Alexander Thomson Society and the Society for the Protection of Ancient Buildings collaborated on the application to have Egyptian Halls shortlisted by Europa Nostra with the understanding that the window to save one of Glasgow’s most significant buildings is rapidly closing.

The seven sites selected by Europa Nostra will be visited by delegations of experts in preservation and financing who will independently review the current situation of Egyptian Halls and work with the owners, local authority and government to try and identify a sustainable route to bring the building back into use. 

The two societies have until March to make the case for the Thomson building to be chosen by the board of Europa Nostra for support. To demonstrate public backing for the building to be saved, an online petition has been set up: http://chng.it/KXKpZCsbDt

The announcement follows on from the recent Reimagining Egyptian Halls competition and exhibition organised by the Alexander Thomson Society to begin examining alternative uses for the site. Entries explored a wide variety of uses include as an art gallery, museum, community centre or school. These entries will now be showcased on the Alexander Thomson Society website where the public will have their chance to select their favourite, as well as contribute to the discussion about what the future of Egyptian Halls might be. The building has already served as an exhibition hall, a marketplace, offices, a music venue and a restaurant, demonstrating its potential and its flexibility. 

What it now needs is the public to demonstrate its support for the restoration and reuse of this architectural marvel, and to encourage those with the power to do so, to act now and SAVE EGYPTIAN HALLS. 

Press Release here.

Categories
2019 Blog News

Reimagining Egyptian Halls

The Alexander Thomson Society are pleased to announce our ideas competition for Alexander ‘Greek’ Thomson’s A-listed Egyptian Halls in Glasgow. The upper floors of the building have been vacant for nearly 40 years and the current proposals for the site are increasingly nonviable due to rising costs (current deficit £28m as per the owners), whilst the building has been actively marketed for 18 years without any movement. (For more information on the current proposals visit the owners website at www.egyptianhalls.co.uk).

The Society’s hope with this competition is to show that the building is suitable for conversion to a whole range of uses, and to encourage those actively engaged in determining the future of the building to think creatively about what might be accommodated on the site. As well as to use suggestions generated to foster discussion with the public more widely as part of the Society’s goal to develop a programme of engagement around the building and the heritage of the site.

An entry fee of £15/£25 is being charged to contribute towards the costs of the prize fund (£500 to the winner, £100 to commendations as awarded) and towards those associated with hosting a public exhibition of the entries.

We are grateful to the owner of the building and his design team for engaging in discussions with the Society around the future of the building, and for supporting this endeavour through the provision of drawings and photographs.

More information about the competition can be found at www.regyptianhalls.org.uk

As part of our engagement strategy we are looking to gather historic images of the building, stories about its uses, mentions of it in the press, and any other information we can lay our hands on. If you think you have anything you could contribute please do contact us on: [email protected]